KELLEY A. MEISTER
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Last Chances to See the Art @ 801!

4/22/2018

1 Comment

 
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Radioactive // Fallout Shelter 2018 12’ 9” x 5’ Charcoal, pastel, colored pencil, and ink on paper
In case you missed it, I've got big, big drawings up at 801 N Washington Ave. in Minneapolis. I'm really proud of these giant drawings, and I really want you to get to see them in their giant glory! They're all part of my larger project, Last Vacation Before the End of the World, which is a multimedia exploration into life in the nuclear age. 

801 Gallery doesn't have open hours, so if you want to come see my work (and the other 3 artists: Jaffa Aharonov, Josie Winship, and Marc Lamm), here are your options:
  • Sun, Apr 29th - 12:30-2:30pm - brunch for Science Museum friends and family, but feel free to join the science nerds and me if that time works for ya!
  • Sat, May 5th - 4-7pm - stop by and wish me a happy birthday (it's the next day!) and hear about how my recent #atomictourism research trip went!
  • Artist Talk: Sunday, May 20, 1pm
  • Make arrangements with me to meet you there - anytime now through end of May! (I'll make the arrangements to make sure it's open, etc.)
  • Make an appointment with the gallery directly by calling Jeremy 612.636.7187.
So bring your friends, family, neighbors, co-workers, comrades, and conspirators and spread the word!

P.S. All work in the show is for sale! 
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photo by Jaffa Aharonov
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Fat Man / Little Boy 2017 5’ x 7’ Charcoal and ink on paper
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photo by Jaffa Aharonov
1 Comment

This Saturday!! Opening @ 801 Gallery, Mpls

2/22/2018

0 Comments

 

At least It's Not a Nuclear Winter...

 Come out, come out, this Saturday to see my new drawings! (SCROLL FOR DETAILS)
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Find out why I'm erasing so much! ​
See why I've been buying all the yellows Wet Paint has to offer!
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801 Gallery
801 Washington Ave N.
MPLS
Opening: Saturday, February 24 6-9pm

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More big drawing update!

12/18/2017

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Still drawing biiiig drawings. This one is 12 feet across, 5 feet tall. I'm not sure where it's going, I'm not sure what exactly I'm doing or why I'm making charcoal drawings, buuuut that's what I'm doing. Come see them Feb- April at Gallery 801 in Minneapolis! More details forthcoming...
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Big drawings!

10/13/2017

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I have a show coming up in February @ 801 Gallery in Minneapolis, and because the walls are so huge, I've been experimenting with big, big, big drawings. I have that old drawing I made during The World is Falling Apart and So Are We...,  and so I'm making more drawings, not quite that large, but similar subject (aka based off of the film I just made, of course!) as companions for it for this show. It's fun, a little intimidating, and very messy making these huge charcoal drawings. I'm also playing with this cool stuff that Janet Groenert gave me many years ago, a water-soluble black graphite. It's fun! Check it out below.
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2 Comments

Last Vacation Before the End of the World, Part 1, RECAP!

7/4/2017

1 Comment

 
Check out the new video below for excerpts from my June performance. I'm looking to tour it, so if you're interested in bringing it your way - hit me up! email: [email protected]

​(special thanks for Cully Gallagher for filming and to Katie Burgess for doing 2nd camera)
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Remembering my trip to a Nuclear Missile Silo - Nov 2012

5/19/2017

2 Comments

 
New York Mills – November 28, 2012
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Yesterday, I took a road trip into North Dakota to see the Ronald Reagan Minuteman Missile Historic Site aka Oscar – Zero. I am still marveling at what a surreal place it was to be: surreal that it existed and surreal that I was standing in the spot where they could have launched 10 of the 150 nuclear missiles in this wing alone into the Soviet Union (there were 6 wings total, with nearly 1000 missiles, through the end of the Cold War – more about this at the end).
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Because it wasn’t the regular tourist season, they only gave tours by appointment. Needless to say, I was the only one on my tour with my tour guide, Nathaniel, an early 20-something white guy with shaggy hair in his eyes, a blue hoodie with the historic site’s logo on it, jeans, and loosely laced skater sneakers.
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He showed me around, and I badgered him with questions. Now the first thing I noticed (see the 2nd-to-top photo and the 2nd-to-last photo) is that there are no silos in sight. I guess I’d always assumed the missiles were disguised in those silos like farmers have. But no, the silos are under ground. Hm. But once you know what these sites look like, they’re easy to spot. Just look for lots of barbed wire fences around nothing special in the middle of the corn field. On my way back home, I noticed one of the other Launch Command Centers (that’s the top photo and where most of my photos and the tour took place) in a cornfield to the east of me. All the ones in this area of North Dakota (see map below) were deactivated after the START signing by George H W Bush and Mikail Gorbachev in 1991, though they didn’t officially close until 1997. Which makes it all the more strange: to visit an historic site that has only been closed for 15 years, though it had been in operation since 1966.
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Most of these photos are from the underground capsule where they monitor and launch the missiles. We were ~60 feet underground that yellow building, inside a welded steel and concrete encapsulated space with a door like a safe only even thicker (see below and more info here). It was a pretty intense place to be because not only is this where they could have launched the missiles, but this space was also designed to save them from nuclear counter-attack. There was even an escape hatch. Two military people would be down in here at all times, two because that’s better than 1 in case something goes wrong–same reason there are 2 pilots on a plane. They had 24-hour shifts. Upstairs, their support staff of 8 came in 3-day shifts. There was even a rec room, straight out of the 80s with a pool table, a ping pong table, and a foos ball table. But the 2 people down here in the capsule were all business. Except as the Cold War dragged on and nothing was happening, they did eventually give them a tv to watch. And behind the tv is a giant mural-size poster of the Virgin Islands. (See above.) A stark contrast to the snowy fields of North Dakota that were actually surrounding them.
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This, in case it isn’t obvious, is the key to launching the missiles. There is a multi-step process to get to this point where the key goes in and turns to launch: an order from the President, encrypted codes coming in via phone and a typewriter and something like “email” and who knows what else, then a red box with 2 padlocks on it. Each person in the capsule has their own padlock with their secret code, and so both commanders have to be alive/awake/whatever in order to get into that red box to get to the decoding book. I think there’s even a few more steps in there before the key can go into the key hole and turned to launch.
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These last two photos of mine are from the nearby missile silo November-33. As you can see, there’s not much silo-like about it. The tall white thing that looks like a miniature missile is a motion detector. And the big concrete patch that is surrounded by the black outline is the lid to where the ~60 ft tall missile was stored. That’s pretty much it.
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The above map is of all the Minuteman Missile sites in the U.S. Three are still active, including the one around Minot, ND. I think the other 2 active ones are in Wyoming and Montana. That’s 450 missile for anyone who is counting, still probably enough to take out most if not all of the people on the planet. Each missile has about 300 kilotons of TNT. Which is a whole fucking lot, just to be clear.

Posted on Wednesday, November 28, 2012, at 5:44 pm.
2 Comments

Upcoming screenings, performances, installations, and more!

4/30/2017

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My Minnesota State Arts Board supported animation, "Now I am Become Death, the Destroyer of Worlds," will be premiered on Wednesday, June 14, 2017, at the Bryant-Lake Bowl in Minneapolis, MN, in companion with Last Vacation Before the End of the World (Part 1), a multimedia participatory experience (see below). I have been working on this animation with the support of the grant since early 2016, but you may recognize some of the images from as far back as 2011 when I created the participatory performance Dearest. This dream-like, hand-drawn animation explores the historical context and lived realities of the current nuclear age. The animation also features original sound by Duluth-based composer Kathy McTavish.

Kelley A Meister is a fiscal year 2016 recipient of an Artist Initiative grant from the Minnesota State Arts Board. This activity was made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation from the arts and cultural heritage fund.

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​Last Vacation Before the End of the World (Part 1)

Wednesday, June 14, 2017
doors 7pm, show 8pm
Bryant-Lake Bowl
800 W Lake St, Mpls
sliding scale tickets: $8-15
www.bryantlakebowl.com
OR (Fee Free): 612-825-8949
I want you to think about the end of the world.* Where will you go when the bombs fall? What songs will you serenade it with? What will you bring? As a companion to the premiere of “Now I am Become Death, the Destroyer of Worlds,” I would like to invite you to accompany me on our Last Vacation Before the End of the World (Part 1), June 14, 2017.
 
*world as we know it, an anthro-centric view, shall we say

Future: Made Here

On view May 4-Aug 30, 2017
6th & Hennepin, Mpls
Launch Party:
Thursday, May 4, 2017
5-8pm
AC Hotel by Marriott 
401 Hennepin Ave, Mpls
Showcase Tours at 6 & 7PM
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On view May 4, 2017-August 30, 2017: Where Do We Go From Here?, a three-channel video collage installation that explores the possibilities of what Minnesota and the Upper Mississippi River Valley will look like 150 years from now. More info here.

Feminist Video Quarterly

Thursday, June 8, 2017
7:30pm
location tbd
for more info, click here
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See Crush Project (2007) at Feminist Video Quarterly, #6. What does it mean to be crushing? And why are they so crushing? This project explores the development of a crush, sharing intimately with the audience my crushes, objects I've given and received from crushes, and other tidbits as an homage to Sadie Benning, my ultimate artist-crush.

Jerome Travel/Study 2017 Recipient - Stay Tuned!

In Spring 2018, I will be traveling throughout the southwest US to research nuclear testing sites, thanks to the Jerome Travel/Study fund.
I am so excited and mildly terrified to see these places in person. This research will inform a longer version of “Now I am Become Death, the Destroyer of Worlds” , Part 2 of Last Vacation Before the End of the World, and much more work in the future.
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Artist Initiative Update - or The Work Just Keeps Getting More Relevant

1/20/2017

3 Comments

 
password: nuke
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From the BBC - a great video on world nuclear proliferation - I can't embed it, but follow this LINK.
3 Comments

Flashback to August 2014 - Anderson Center Residency

9/3/2016

2 Comments

 
As August exits this year to September, I realize I am full of memories from my residency in Red Wing, MN, in August 2014. I documented it on my old website blog (archive here - it's a little clunky b/c the wordpress formatting is lost to time - if you get an error message, just change the "www" to "archive" in the URL and you should be back in business), but I wanted to bring back some highlights.
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Monday, August 4, 2014 
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Greetings from Red Wing, Minnesota. I am spending the month of August at the Anderson Center, enjoying lots of time to work and think and be and dream and relax and make and do and photograph and draw and film and paint and read and research and and and and and and…!
I am also refamiliarizing myself with this area – rereading Mni Sota Makoce. As always, when I spend time in the landscape, I think about what’s different and what’s the same…which trees might have been around before the white settlers first occupied this Dakota homeland, which bluffs and islands are still visible and which have been destroyed or eroded, what the waterways might have looked like several hundred years ago and how they look and are used now. Forts were built in this area – one possibly on what is now Prairie Island, just up the Mississippi River from Red Wing and current site of the Prairie Island Reservation and the Prairie Island Nuclear Power Plant – ostensibly to help peace efforts with the Ojibwe and Dakota. Reflecting on the U.S.’s 200+ year history of starting conflicts through covert and overt means and then strategizing “peace negotiations” so that we have the best outcome of resources at our disposal – from the land I write this on to much of the countries in Latin America throughout my childhood and on into much of the Middle East as I entered adulthood. Thinking about imperialism and what it means to be an artist living in the comfort of paid residencies in this imperialist nation as I wonder how much longer we can continue to be at the “top” of this precarious ladder.
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Sunday, August 31, 2014
The first half of the month was endless sunny days, and the second half was rolling thunderstorms. Both completely enjoyable. I feel truly grateful to have had this opportunity – to take a break from life, from $jobs$, from alarm clocks, from cooking dinners, from the city, and from major responsibilities beyond taking care of myself and making art. This is my third residency, and it was by far the most productive, inspiring, and fun one thus far. Part of it was the luck of having a really excellent group of people as co-residents – sharing a big house and kitchen is just a lot more enjoyable when you like all the people you share it with. It’s kind of a fish bowl – plus you never know who will be there with you, as that is dependent on those who read your applications. I really lucked out because the most wonderful and amazing artist AriCoco was my next door neighbor (in home and in the studios)! Dream-team!
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Sunday, August 31, 2014 (cont.)
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In terms of my art, I took 938 photos (there’s still 12 hours left, so I’m hoping to hit 1K!), 25 movies, and made 22 different animation tests (most of which can be found here or just look back through my blog posts). I painted a 20 foot long gouache/watercolor painting, drew a couple hundred animals (rabbits, bears, squirrels, coyote, foxes, bats, and mosquitoes) with both my left and right hands, made 3 potholders and 5 shrinky-dinks, and gave myself one very tiny tattoo!
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Sunday, August 31, 2014 (cont.)
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I rode my bicycle so many miles on the Cannon Valley Trail, enjoyed scenic walks and hikes around Red Wing, and spent much time just sitting outside (or in the huge screened-in porch) watching the chipmunks/gophers run around and the monarchs flutter. While there was a dearth of swimming this month, I did spend much time near the Mississippi and Cannon Rivers. I spent several evenings climbing the 76 steps up to the top of the water tower to take photos of the clouds rolling over the ridges and the sun setting behind them.
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Sunday, August 31, 2014 (cont.)
And yes, that is the Prairie Island Nuclear Power Generator on the horizon – hashtagFULLCIRCLE. In other news – I spent an hour at the Goodhue County Historical Society yesterday reading up on the Prairie Island Nuclear Power Generator. I learned a lot of really interesting things, but my favorite story I found was about all the protests in the early 90s against storing radioactive waste onsite (which the plant did end up doing – and still does FYI), like the one in August 1992 that was “sponsored by the Minnesota Green’s conference, the Twin Cities Anarchist Federation, the Prairie Island Coalition against Nuclear Storage and other groups, met on the West Bank at Murphy Square and proceeded to NSP headquarters to protest what they called, ‘NSP’s rascist attempt to store radioactive waste at Prairie Island.’”
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2 Comments

Artist Initiative Update 2

8/17/2016

1 Comment

 
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Preparatory stills for "Now I am become Death..."
This summer has been flying by, and I am frantically trying to catch up and get back on schedule. I have this week off from work, so I am treating it like a mini-residency, devoting many hours every day to the studio (or the MN Historical Society Research Library). I'm trying to get a handle on the bigger picture, as I'm feeling swallowed up by the minutiae and stumbling to find the next step always. At the same time, I'm trying to embrace the intuitive process that I know works best for me. I saw the director of Born in Flames (Lizzie Borden) speak at the Walker Art Center in June about taking 5 or something years to make that movie and that she just filmed and made decisions along the way, and it made me feel empowered to make this movie the way I work best - intuitively rather than so planned out and preconceived. Not that I need 5 years, though, hopefully!
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So I'm concentrating on creating the images and trusting that I can edit them together in the way I want after I make them. Truely nonlinear editing.

I'm doing a lot of experiments currently, thinking about possibilities of taking the images beyond the confines of that little sheet of aged newsprint - such as tearing it, using green screen to insert archival footage into the torn bits, growing/shrinking its size, inversing the color of the images, trying out other methods like cyanotypes to make images - are they more radioactive looking? for certain scenes, and tinting the paper with watercolor, etc.

Pictureexperiments with inversing
I'm also hanging out at the MN Historical Society's research library this week and getting some more info on the stuff here in Minnesota - the power plants, the protests, etc. Which will hopefully prove fruitful.

Between my heart being in so many different places this summer - from Philando Castile's shooting north of St. Paul (who was a friend of a friend and a member of the educator community I am part of here) to the resistance to the oil pipelines in North Dakota and Minnesota to theclimate change caused flooding in Louisiana to the anniversary of Michael Brown's shooting in Ferguson and just so so so much more, it's been hard to stay focused. I've been distracting myself with screenprinting silly cat shirts and students' designs when it gets to hard to think about nuclear annihilation on top of all the above and all that's happening in the world and in my heart.

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screens from the 2016 T-Shirt Artists camp at the Science Museum of Minnesota
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experiments with cyanotypes and photoshop
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Copyright : Kelley A Meister, 2024
kelley [at] kelleymeister [dot] com
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  • Home
  • About
    • Artist Statement / Bio
    • Résumé / CV
    • Contact
  • Artwork
    • CURRENT WORK
    • Interdisciplinary >
      • Disaster Prep
      • HotZone
      • RadMaps
      • AtomicTourist
      • Last Vacation
      • The World is Falling Apart and So Are We...
      • Welcome to Coal Country
      • Charlay Bboots Project
      • Neither Here nor There...
    • Installation >
      • Portals
      • WindSocks
      • Fallout Shelter
      • Containment
      • The World is Falling Apart and So Are We...
      • Cry
      • The Cage Project
      • Come and Dance with Me
      • One Hundred Cops
    • Media Art >
      • Now I am become Death...
      • Where Do We Go From Here?
      • What Is My Queertopia?
      • Fault Lines
      • An Account of My Favorite Food
      • Chalkboard Drawings
      • Super Tough
      • Crush Project
      • Photography
    • Performance >
      • Last Vacation
      • The World is Falling Apart and So Are We...
      • Welcome to Coal Country
      • Dearest
      • Grammar Lesson
      • Bolo Project
  • Blog
  • Store
  • Conspirators
  • Press